Benedetto Blanis (c.1580-1647) was born and raised in Florence ’s Jewish Ghetto, a turbulent enclave in the heart of the Medici capital. Don Giovanni dei Medici (1567-1621) was a scion of the ruling house—the legitimized bastard of Cosimo I, Grand Duke of Tuscany. Livia Vernazza (1590-1655) was the low-born daughter of a Genoese mattress-maker and a barely reformed prostitute.
These three people had nothing in common—or so it might seem. But for at least six years (1615-21), their lives were inextricably linked. Don Giovanni made a distinguished military career, but his chief passions were the theatre and the occult. Benedetto earned a perilous living by second-hand dealing and loan sharking; meanwhile, he hoped to parlay his knowledge of the Hebrew language and Jewish Kabbalah into a privileged position at the Medici Court . Livia craved status and security in her own way, relying on her own peculiar skills—forging an intense relationship with a susceptible older man, Don Giovanni dei Medici.
This is a story of people, but it is also a story of places and events—behind the scenes in the
Illustrations:
- François Bunel the Younger, Troupe of Italian Actors (Musée des Beaux Arts, Beziers).
- Ludovico Cardi “il Cigoli” (attributed), Don Giovanni dei Medici(Luigi Koelliker Collection, Milan ).
- Giovanni Grevembroch, Jewish Pedlar (Museo Civico Correr, Venice).
- Kabbalistic permutations of the name of God (Biblioteca Marucelliana, Florence).
- Kabbalistic permutations of the name of God (Biblioteca Marucelliana, Florence).